Luminous but not clear…

The late sum­mer heat in Vir­gin­ia is densely, oppress­ively humid. I wore the weath­er like a set of heavy, unfa­mil­i­ar clothes and, unused to such bru­tal tem­per­at­ures, rose at dawn in search of a calm­ing, sooth­ing breeze. Walk­ing along the river bank before the sun appeared, Nor­man Maclean’s beau­ti­fully evoc­at­ive words in A River Runs Through It floated into my mind: ‘At sun­rise everything is lumin­ous but not clear.’

The con­stant, cool­ing pres­ence of the river in Vir­gin­ia tem­pers even the most bru­tal of days, and the heat of the sun is mod­i­fied by the warmth of the wel­come. Home-made dough­nuts, pan­cakes, iced tea, corn hush pup­pies, pulled pork bar­be­cue — I was over­whelmed by gen­er­os­ity.

Like som­brer­os, castanets and spor­rans, South­ern pulled pork isn’t as con­vin­cing in an Oxford­shire garden as it was at the end of a dock on a Vir­gini­an river. So I’ve devised my Oxford ver­sion in trib­ute to the people I met and the food that I ate with my feet trail­ing in the river and the sun beat­ing down on my head.


This is a two-part recipe. Eat it first as roast pork with crispy roast pota­toes and then eat what’s left as a pulled pork sand­wich with car­a­mel­ised onions. This is not the kind of pork that you slice effi­ciently into neat pieces. Shoulder of pork, cooked slowly, will col­lapse into deli­cious, but sham­bol­ic shreds and shards.

Serves 4

  • 2kg pork shoulder, bone still in (I’ve tried it without the bone and it’s nowhere near so good)
  • 2 tea­spoons fen­nel seed
  • 2 medi­um car­rots
  • 2 sticks cel­ery
  • 2 leeks
  • 2 onions
  • Large hand­ful of fresh thyme
  • 2 bay leaves
  • 1 head gar­lic
  • season­ing
  • Half bottle white wine
  • Red­cur­rant jelly
  • Bal­sam­ic vin­eg­ar
  • Half litre veget­able stock

Pre­heat the oven to 220 degrees C. Rub the skin of the pork shoulder with salt and place it in a met­al bak­ing tray that’s only just a little lar­ger than  the meat. If you use a tin that’s too large, the veget­ables you place in it later will burn.

Cook for 30 minutes, to allow the skin to start crisp­ing up. Remove from the oven, turn­ing the heat down to 150 degrees C at the same time. Allow the meat to cool for a couple of minutes and then remove tem­por­ar­ily from the tin. Build up a mat­tress of car­rots, cel­ery, leeks, fen­nel seeds, bay leaves, onions and gar­lic in the same tin, top­ping the pile with the fresh thyme. Place the meat on top of the mat­tress. Pour in the white wine and put the tin back in the cool­er oven. Cook gently for around four hours, top­ping up the liquid with water, if the tin starts to dry out and the veget­ables to burn. You may need to cov­er it with tin foil dur­ing cook­ing, if there’s a risk of burn­ing.

Remove the pork and make a jus with the juices in the pan. Care­fully spoon off any fat, but keep the veget­ables in the tin. With the tin on the hob, stir in a little more white wine to deglaze it. Add the veget­able stock, red­cur­rant jelly and bal­sam­ic vin­eg­ar and bubble up. Check the season­ing and strain the jus into a jug.

Serve with roast pota­toes, the crack­ling, spin­ach and steamed cour­gettes. Try to make sure you save enough pork for the fol­low­ing day.


Car­a­mel­ised Onions — makes 2 to 3 servings

  • 2 white onions
  • 1 tea­spoon fen­nel seeds
  • Half tea­spoon crushed cori­ander seeds
  • Half tea­spoon sug­ar
  • Olive oil
  • Season­ing
  • Black­berry vin­eg­ar

Finely slice the onions. Place in a small pan the olive oil, fen­nel seeds,  crushed cori­ander seeds, sug­ar, salt and black pep­per. Cook as gently as you can man­age for around an hour. If the onions start to catch, add a little water. When the onions have col­lapsed and melted, remove from the heat and add two tea­spoons of black­berry vin­eg­ar. The vin­eg­ar, which adds a fruity sharp­ness, is also a ges­ture to South­ern pulled pork, which has vin­eg­ar stirred into it.

Warm through some rus­tic rolls, pile in a heap of peashoots and salad leaves dressed with lem­on vinai­grette, fol­lowed by a mound of warmed pulled pork and a spoon­ful of car­a­mel­ised onions.

Nor­man Maclean, whose writ­ing has a beau­ti­ful bal­ance and heft to it, had a mar­vel­lous sense of the moment. He under­stood that some frag­ment­ary shreds of time have more lumin­os­ity to them than oth­ers. Eat­ing pulled pork as the river trailed past me was one of those moments when ‘life… becomes literature—not for long, of course, but long enough to be what we best remem­ber, and often enough so that what we even­tu­ally come to mean by life are those moments when life, instead of going side­ways, back­wards, for­ward, or nowhere at all, lines out straight, tense and inev­it­able.’

That day, life did indeed become lit­er­at­ure. But the sun rises too soon by the river bank in Vir­gin­ia. The lilac light eases into pink and a blue her­on rises into the sky. It’s time to renew the war of attri­tion with the sun once again.

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